Stones Corner is slowly coming out of a dry patch, many retailers left when the outlet stores that populated the shopping moved themselves out to DFO. The precinct was left a bit empty and with no reason for people to go there, the area went quiet. Newer retailers and eateries began moving in, the pub went through a revitalisation and the Stones Corner Festival was born 6 years ago.
Headlined by Jebediah, Area 7 and Brisbane favourite Darren Middleton, the music line up was stellar, with a bit of everything for everyone. With the biggest attendance to date, the crowds still moved freely, and people had places to sit and catch up. A kid oriented play area down the Old Cleveland Road end ensured that the festival had a family vibe. The festival is only going to get bigger next year (they might need to expand a bit!) and if they deliver the amazing music, craft brewers and food offerings again, it will continue to grow.
24 April 2019 – The Blackbear Lodge – words and pictures by Bec Harbour
In 2009, Hope is for Hopers was a breath of fresh air in Australian music when it was wandering about not really knowing what to do with itself. I’d stopped listening to Triple J and had moved across to sourcing my new music from the internet. Philadelphia Grand Jury, or as their kick drum skin proclaims – the Philly J’s, didn’t sound like like much else out there.
They still don’t.
The Philly J’s are an eclectic mix, their sound has evolved but their high energy has remained the same – they move around the stage more than any other band I have photographed AND this includes drummer Dan W. Sweat who at the end of the set got his kit moved into the crowd.
They were supported by Georgie Nielsen and the Palms and Jaguar Jonze. I missed Georgie Nielsen and the Palms, by all accounts I missed a great set from them (darn Valley parking). Jaguar Jonze played an amazing set – they just keep getting better every time I see them play.
The Philly J’s started their set with No You Don’t. Second song was Ready to Roll.Their set was carefully constructed with crowd favourites sandwiched with the brand new song $10K – and recorded dialogue (I was trying to work out how Simon “Berkfinger” Berckelman was speaking – turns out you record your stage banter prior to the gig). At the end of the set Berckelman and Joel “MC Bad Genius” Beeson swapped guitar and bass duties, then handed them off to members of the audience while they moved the drum kit into the audience.
This was a great gig, they only have one show left to play after this one (Gum Ball Festival in the Hunter Valley). If you missed this gig, you might have missed out on seeing them for a while.
Royal International Convention Centre – Tuesday 19 March 2019
The 2019 Queensland Music Awards (QMA’s) were an amazing showcase of how strong and diverse the Queensland music scene is. The awards were hosted by Patience Hodgson (The Grates) and comedian Mel Buttle and featured performances from DZ Deathrays, Amy Shark, William Barton and Clea.
Clea and Emily Wurramara both were dual recipients (Clea for the Pop category and Song of the Year and Emily Wurramara for the Indigenous and Blues and Roots categories). Other winners included Tia Gostelow for Album of the Year and Pool Shop who took out the Billy Thorpe Scholarship. For a full list of winners and photos from the night see below.
Song of the Year – Clea (Dreaming) Album of the Year – Tia Gostelow (Thick Skin) Billy Thorpe Scholarship – Pool Shop Rock – Jungle Giants (Used to Be In Love) Export Achievement Award – Confidence Man Electronic/Dance – The Kite String Tangle (Give it Time feat. AALIAS) Pop – Clea (Dreaming) Hip Hop/Rap – Resin Dogs (Pack Your Bags) Singer Songwriter – Amy Shark (I Said Hi) Peoples Choice Awards – Metro Venue – The Triffid Regional – Sahara Beck (Here We Go Again) Indigenous – Emily Wurramara (Lady Blue) World/Folk – Asha Jeffries (Everybody Talks) Jazz – The Biology of Plants (Long Black) Peoples Choice Awards – Festival of the Year – The Big Pineapple Festival Blues/Roots – Emily Wurramara (Tap Sticks) Country – Emma Beau (Wild Heart) Heavy – Dead Letter Circus (The Armour You Own) Soul/Funk/RnB – Mark Peric (The Sound of Light) Peoples Choice Awards – Regional Venue – NightQuarter Schools – Tokyo Twilight (Little Things feat. DVNA) Video – Buttah (Ghost in the Machine) Grant McLennan Lifetime Achievement Award – Henry ‘Seaman’ Dan
I saw Tape/Off at the Valley Drive In during BIGSOUND 2018, all I could hear was a wall of sound coming from behind the Brightside, and I wanted to know more. I checked them out on their Triple J Unearthed and Facebook profiles later on and realised that their favourite bands included many of mine. I like a noisy band.
Tape/Off released ‘Broadcast Park’ last year just before BIGSOUND and the latest single ‘Vigorous Lover’ is a step away from their usual sound dynamic. Cnt Evn, Minor Premiers and Requin as supports were thematic choices with their own brands of quality noise.
Tape/Off played a solid set that included ‘Wake in Fright’, ‘Micronation’ and ‘Day In, Day Out’ and of course ‘Vigorous Lover’. ‘Vigorous Lover’ shows the melodic chops the band has and some clever lyric play: “She wanted a vigorous lover, that would go all night, I’m not such a vigorous lover, but I go alright…”
Get and see Tape/Off, especially if you like noise in abundance. The tour namesake single ‘Vigorous Lover’ shows a bit of a sardonic side through the lyrics and softer sound that you might not realise Tape/Off possess.
What do you get when you band 10 live music venues together to put some seriously great bands on? The Mountain Goat Valley Crawl is what! Spread across 3 blocks (so easy scramble distance between venues) and some of the best up and coming as well as established bands from Brisbane and beyond, this always promised to be a good night.
As I got my wristband, I realised that I had left my glasses at home (hurrah for living very close – boo for disorganisation and bad eyesight!) so had to scoot home again leaving me with minimal time to catch Perve Endings at The Foundry.
Perve Endings do great synth punk pop – a lot more punk than their Unearthed Profile would suggest, and a lot noisier than their recordings there too. They had a decent sized crowd for a 6.30 slot – the hard work they have been putting in (Voiid’s Sludge Session to name one) has paid off.
The Bonnie Doons were on at the Crowbar in my 7pm timeslot. I have almost seen them countless times, only to have a scheduling conflict – interestingly enough there was one with this line up for me too – Being Jane Lane at Blutes. If you like a laid back, almost reggae tinged sound (think surf-punk-coastal music) you will love these guys. I thoroughly enjoyed the first half of their set – get on their Unearthed page and have a listen.
Being Jane Lane were in full swing when I arrived at Blutes. By full swing, I mean going off. Blutes stage area is small and the band had spilled off the stage onto the floor area, merging with the audience. I saw them last supporting Horace Bones (I’ve said it once, I’ll say it again, a criminally under attended gig – RIP live music at the Bloodhound Bar) and missed them at VB Hardyards. I was trying to work out out where their lead singer Teigan was, she was in the crowd much to everyones delight.
After a quick dinner break, I went back to the The Foundry, where Tiny Castle was playing in the Back Room (AKA The Bowie Room). If you like bands like the Killers and City Calm Down, these guys are for you. It seemed that the audience was filled with friends and family (grandparents included). The Back Room at the Foundry has surprisingly good acoustics – it felt like we were at a house party in someone’s lounge room.
My must see for the night was Cry Club. Their recordings only give half the indication of the energy and noise that comes from a live show. Heather is the consummate front person – high energy and engages with every member of the audience. I love noise pop that I can dance to and Cry Club are a band delivers this in spades.
My first band at the Zoo for the night was Minor Premiers. This band sounds like they are from another time, like something off the early 90’s Merge Records roster. They had a bunch of loyal fans ready to go. I had been waiting to see them for some time and they did not disappoint. It was then off to Barbara to see Pool Shop.
I had popped into Barbara earlier to do a light reading – it seemed darker and more crowded when I went back. Barbara is not really geared for this type of live music (and frustrating sound issues as well as lack of lighting) and the punters were all squashed in, with more trying to get in. I took my shots and went outside to listen to the rest of their set. Pool Shop is one of my favourite Brisbane bands, fantastic shoegaze style, melodic power pop.
My biggest scheduling clash of the night was Raave Tapes and IV League. I went over to the Brightside to catch IV League first. IV League put out a solid beginning to their set (was hoping for Superstar – maybe I left before it?) then off to the Zoo for Raave Tapes.
I have been singing the praises of Raave Tapes to whoever will listen – I saw them live for the first time as the “surprise” band at the end of the Against the Grain festival. It seems that the rest of Brisbane has arrived – the line to get in was down to the convenience shop (thank you media wristband). It was already packed upstairs too. It was already heaving – Raave Tapes are a band that will make you have a good time, and all your friends as well. They invited a big pile of their friends up for their song “Corridor”, members of Bugs, Sweater Curse and Stumps and other randoms. The crowd loved every minute of it.
After that little bit of excitement, it was back to Blutes for the “surprise” gig of the night – Washington. New songs and old favourites were performed. It seemed that not everyone got the memo about Washington playing straight away – the line up at the door started well into the set.
Once again, Mountain Goat Valley Crawl put on a stunning array of talent. Because you can’t be everywhere at once, I missed Selfish Sons, Sleep Club and Requin – bands I really wanted to see. Stumps I missed due to utter confusion with the schedule (sorry guys – next time?). I’m looking forward to seeing some of these bands around this year.